This ambitious and comprehensive book explores technology’s influence on artistic performance practices in the twentieth and twenty-first centuries. In Entangled, Chris Salter shows that technologies, from the mechanical to the computational—from a "ballet of objects and lights" staged by Diaghilev’s Ballets Russes in 1917 to contemporary technologically enabled "responsive environments"—have been entangled with performance across a wide range of disciplines. Salter examines the rich and extensive history of performance experimentation in theater, music, dance, the visual and media arts, architecture, and other fields ; explores the political, social, and economic context for the adoption of technological practices in art ; and shows that these practices have a set of common histories despite their disciplinary borders.
Chris Salter, Entangled. Technology and the Transformation of Performance, préface par Peter Sellars, London, The MIT Press, 2010, 460 pages.
Christopher Salter is Graduate Certificate Program Director and Associate Professor at the department of Design and Computation Arts at Concordia University. He received his PhD in the areas of theater and computer-generated sound at Stanford University. His research and artistic practice investigates the role of real time sound, image and technologies of interaction within the context of responsive environments and performance. He was awarded the Fulbright and Alexander von Humboldt Chancellor grants for research/work in Germany between 1993 - 1995. After collaborating with Peter Sellars and William Forsythe/Ballett Frankfurt, he co-founded the art and research organization Sponge. His work has been shown internationally at venues such as Ars Electronica, Transmediale, Villette Numerique, V2, DTW/New York and SIGGRAPH, among others. He has been visiting professor in music, grad studies and digital media at Brown University and the Rhode Island School of Design (RISD).